Nancy Keystone is a Los Angeles-based theater director/playwright/designer, and visual artist. She is the 2003 recipient of Theatre Communication Group’s [TCG] prestigious Alan Schneider Director Award. She is currently Artist-in-Residence at Portland Center Stage, a position supported by the National Theatre Artist Residency Program from Theatre Communications Group and Pew Charitable Trusts. The grant provides support for a two-year collaboration between Ms. Keystone and PCS in the development of Apollo [Part 2]. Most recently at PCS, Ms. Keystone directed Edward Albee's Who's Afraid of Virginia Woolf? ["Best Actor" and "Best Actress" Drammies for Allen Nause and Margo Skinner], and Claudia Shear's Dirty Blonde. In February, 2001 she directed the World Premiere of her own adaptation of Antigone at PCS. 

In Los Angeles, she is the founder and Artistic Director of Critical Mass Performance Group, a collaborative ensemble dedicated to creating new works and bold interpretations of classic plays. Currently, with Critical Mass, she is developing Apollo [Part I]: Lebensraum, about the relationship of German rocket scientists and the United States Space Program. In 2000, Critical Mass premiered The Akhmatova Project, a movement-based performance piece, inspired by the life and writing of Russian poet, Anna Akhmatova. Created and directed by Ms. Keystone in collaboration with the company, The Akhmatova Project was named one of the "Ten Best Productions" in Los Angeles for 2000 by the Los Angeles Times, and garnered four L.A. Weekly nominations including Production of the Year in 2000. Also with Critical Mass she has directed Measure for Measure [named one of the "10 Best" productions, 1991, L.A. Reader], The Rover, Dr. Faustus, and Brecht's Baal.
 
In Atlanta, she was Artistic Associate at Actor's Express from 1995—2000. There, she directed and designed: The Dying Gaul, A Doll's House ["Best Director,"Atlanta Press], The Misanthrope, Three Sisters ["Best Director" and "Best Production," 1996, Atlanta Journal/Constitution], the highly acclaimed Hamlet, and, the blockbuster Unidentified Human Remains and the True Nature of Love. Other recent credits include Victoria Ann Lewis' Stuck [Mark Taper Forum]; the long-running hit, Low Level Panic, winner of five L.A. Dramalogue awards and the L.A. Weekly's "Best Ensemble" award; A Midsummer Night’s Dream [San Francisco Shakespeare Festival]; at Georgia Shakespeare Festival: Cymbeline ["Ten Best Theatre Events of 2003," by Atlanta Journal-Constitution; "Ten Best Productions of 2003," by Southern Voice], and Othello ["10 Best" productions in Atlanta, 1997, Creative Loafing]. Forays into opera include Mozart's Don Giovanni and Le Nozze di Figaro [San Louis Obispo Mozart Festival], Livietta and Tracollo [Long Beach Opera], and Postcard From Morocco.
  
In 1995 she was the Artistic Director of the Santa Barbara Summer Solstice Celebration—an artist/community parade and festival which included 600 participants and 100,000 spectators. With composer Randy Tico and Critical Mass Performance Group, in 1990 and 1991, she wrote, produced, directed and choreographed two trans-cultural, multi-media festival performances as part of the Solstice Celebration which were performed outdoors on multiple stages, spoken and sung in English and Spanish with A.S.L. interpretation. A short film, The Housekeeper, which she wrote and directed, has been seen on the FXM channel and at film festivals in the U.S. , Paris and Tokyo. 
 
She is the recipient of fellowships from the Drama League of New York, and the California Community Foundation. As a visual artist, Ms. Keystone works in mixed media, creating paintings and collages which are part of numerous private collections. She combines her visual art with directing to create unique set designs and environments for her productions. She is currently a member of the visiting faculty at UCLA and Cal State Los Angeles, a mentor for Young Playwright's Program in Santa Barbara, CA, and is an instructor in arts-in-education programs nationwide.

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